March 2014October 2013October 2013Contents: Our 10 October 2013 showcase
10-12 October
Our next full gig – our 13th birthday and Christmas party June 2013June 2013Contents:
Our next gig - April 2013April 2013Contents:
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January 2013January 2013Contents:
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21 January 2013, Blood Red Shoes @ NAC December 2012December 2012Contents:
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October 2012October 2012Contents: Our next full gig – Friday 26 October 2012 Our 11 October 2012 showcase
11-13 October Recommended: September 2012September 2012Contents:
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10-29 September
11-13 October
June 2012June 2012Contents:
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Norwich Arts Centre selected June 2012 highlights
May 2012May 2012Contents:
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BBC Music Video Festival filmed gig, Saturday 19 May 2012 Norwich Arts Centre selected May 2012 highlights April 2012April 2012Contents:
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February 2012February 2012Contents:
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December 2011December 2011Contents:
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October 2011September 2011September 2011Contents:
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Norwich Sound & Vision convention June 2011June 2011Contents:
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April 2011April 2011Contents:
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February 2011February 2011Contents:
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December 2010December 2010Contents:
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October 2010October 2010Contents:
Our next gig - Recommended: September 2010September 2010Contents:
Our next gig - Recommended: Norwich Sound & Vision convention Postcard from Mike Dinosaur Pile-Up/The Brownies August 2010August 2010Contents:
Our next gig - Hellhound Oconnor and the Winkles June 2010June 2010Contents:
Our next gig - Reccomended: BBC Norfolk Music Video Festival |
![]() We Cut Corners © AAA Photos We Cut Corners headline wombatwombat on Friday 14 September 2012 @ NAConline tickets from the button at the bottom of this linked page. We Cut Corners: for fans of… Ryan Adams, brevity, The Walkmen, quiet, Titus Andronicus, loud, Joanna Newsom. There's bound to be intrigue and possibly some confusion at the diverse style and delivery of your music – from mega-loud ranting and raging to lo-fi folk-tinged pop but always with killer singalong lyrics and the hookiest of hooks – how deliberate is this musical schizophrenia and what makes it such an enticing proposition that the people of Norwich really have to check out We Cut Corners live? It's not deliberate at all – we really treat every song as an autonomous entity that is in no way obliged to sound like its siblings. When settling on the songs that would appear our album we could have picked 10 quiet songs but that wouldn't have been representative of what we do, hence the mélange. During our live show, the quieter songs give the set an undulating quality and provide moments of respite amidst the faster, louder tracks. ![]() Buy this gobsmacking album direct from The Delphi Label using this link You're playing wombatwombat as one of a limited number of dates to help promote the UK release of your debut album, Today I Realised I Could Go Home Backwards, a year after it hit the streets in your native Ireland to critical acclaim and began a buzz on either side of the Irish Sea. Having already played well-received high profile showcases this year, eg Eurosonic, The Great Escape and Southsea Festival, what do you hope to achieve as a result of this current run of gigs… We've found UK audiences really receptive to our songs and we're keen to make our visits here a more frequent occurrence. It's such a fertile environment for music and to dip our collective toe therein is a really exciting thing for us. …and which tracks will be blaring in the tour vehicle for your road trip?
Bombay by El Guincho What inspires your songwriting and how do you share responsibility for music and lyrics? Every song has a different genesis and gestation. Some begin as drumbeats, others as simple piano motifs, which gradually germinate into fully-grown songs. Being a spectator/participant to that germination is possibly the most exciting aspect of being in a band. Which WCC lyrics best reflect John and Conall as individuals? "It is a brave new age and I've been cowering in the corner" from Are You A Man Or A Mannequin? Please tell us a bit about your amazing array of videos… We've been terribly spoilt in having worked with some amazing artists who have shown incredible creativity, ingenuity and generosity in taking our songs and creating visual foils for them. They range from graphic, stream of consciousness animations to the more abstract, 3-D study of Polaroid photos by the German artist Axel Roessler for our song Yet. Which other duos share some kind of affinity with WCC? I believe we share a certain numerical affinity with the majority of musical duos. What else do we absolutely need to know about WCC? We wrote our first song together aged 19. It is a six-minute power ballad called Conall and John's Song. Shortly after its composition, we moved to Austria together to study and, instead of writing more songs to accompany it, we just played it over and over again. It's emotionally earnest, lush in its orchestration, formulaic in its movements and everything we've ever done since seems to be a reaction against and, simultaneously, irrevocably tethered to it. It's puzzling. Which other Irish bands should we tune-in to? There's a guy from the south-west of the island called Deaf Joe who makes the most beautiful Sunday morning music. So beautiful, in fact, that we listen to him on other days of the week too. Social media snapshot Which social media do you use and how do you rate them in terms of the best way to promote your band, with 1 being the best?
Who cuts corners?
Conall sings, plays drums and sometimes keys. ![]() |